This was an interesting dream sequence. I feel like I was watching more of David Lynch thank Rodger Deakins, but it was a good experiment. Good job.

There's nothing wrong with making a poetic statement but if you do really push the artistic boundaries. I liked the black set and the reflection in the floor but that was pretty much the extent of your expression. Really use extreme camera angles to express what is being felt. Also the story you describe in the description didn't come across in your film. If that is your message you really need to make sure that it comes through. Poetic is fine but you have to take it all the way.

Your film was completely visual in it's communication. If that's the creative choice you make you have to commit 100%. I'll ask you a few questions: Your synopsis says that he's slowly is getting rid of his once past memories. How can you show that visually? Where can you put your camera to communicate the memories of his love being erased. Do you start with colored lights reflecting in the water and go to black and white? Do you project memories into the floor which slowly go out?

the lighting of this project felt like a French film from the 1930s. It was an interesting narrative that conveyed a claustrophobic tone very well. I think the black and white was also very effective. The lighting could have been a bit more dramatic and could have helped get the point of the story across better.

This was some pretty heavy stuff. The actor was very into his role and believable. I'm unsure exactly what the film was truly about but such is the case with films such as this. The concept was well executed but I did feel that the lighting could have played a better role in the tone and mood of the piece. I'm really curious what this team will make next.